Okay, movie lovers, buckle up, because “Poor Things” is a cinematic rollercoaster that will leave you feeling like you just stepped off a psychedelic carousel. I saw this with a friend, and about 15 minutes in, we were exchanging those “did we accidentally eat an edible?” glances to “Should we have taken an edible” š¤£. The visuals were swirling, the dialogue was bizarre, and the plot was twisting and turning like a contortionist on a sugar rush. But hey, that’s kinda what you expect from a Yorgos Lanthimos film, right?
Now, having loved “The Lobster” and “The Favourite,” I knew I was in for a unique experience. And “Poor Things” definitely delivered on that front. It’s a surreal and provocative reimagining of the Frankenstein story, with Emma Stone delivering a captivating performance as Bella Baxter, a young woman brought back to life with the brain of her unborn child. (Yeah, you read that right.)
Bella’s journey of self-discovery is a wild ride, filled with bizarre encounters, sexual awakenings, and a healthy dose of social commentary. The film challenges societal norms and expectations, particularly those placed on women in the restrictive Victorian era. Bella’s insatiable curiosity and her refusal to conform make her a truly fascinating and empowering character.
But here’s the thing: “Poor Things” is not for the faint of heart. It’s weird, it’s wacky, and it’s definitely not afraid to push boundaries. The visuals are stunning, with lavish costumes, elaborate sets, and dreamlike sequences that blur the lines between reality and fantasy. But it’s also grotesque at times, with some scenes that might make you squirm in your seat.
And the plot? Well, let’s just say it’s not exactly linear. The film jumps between locations and time periods in a “matter-of-fact” way that can be a bit jarring. But if you can go with the flow and embrace the absurdity, you’re in for a truly unforgettable cinematic experience.
The supporting cast is also fantastic, with Willem Dafoe as the eccentric Dr. Baxter and Mark Ruffalo as the cunning lawyer Duncan Wedderburn. Their performances add depth and complexity to the already bizarre world of “Poor Things.”
Overall, “Poor Things” is a film that defies categorization. It’s a visual feast, a thought-provoking exploration of identity and free will, and a wild, unforgettable ride. Just be prepared for some weirdness, some awkwardness, and maybe a few moments where you’ll wonder if you accidentally wandered into a fever dream. But hey, that’s part of the fun, right?
So, if you’re looking for a film that will challenge your perceptions, expand your cinematic horizons, and maybe even make you question your own sanity, “Poor Things” is the movie for you. Just remember to breathe, embrace the weirdness, and maybe bring a friend to discuss it with afterward. You’re gonna need it.
Rated: R (USA)
Runtime: 142 minutes
Release Date: December 8, 2023 (United States)
My rating: 4.5 Mainasty Masterpieces
but the visuals ratings are 7
Directed by | Yorgos Lanthimos |
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Screenplay by | Tony McNamara |
Based on | Poor Things by Alasdair Gray |
Produced by | Ed Guiney Andrew Lowe Yorgos Lanthimos Emma Stone |
Starring | Emma Stone Mark Ruffalo Willem Dafoe Ramy Youssef Christopher Abbott Jerrod Carmichael |
Cinematography | Robbie Ryan |
Edited by | Yorgos Mavropsaridis |
Music by | Jerskin Fendrix |